The tunnels empty into a cave. I run, shards of glittering volcanic rock shivering and shattering
around me, lacerating my face and hands. A torch is pressed into my hands, an
urgent whispered “go” in my ear, arms enfold me quick and fierce, then release
in a swirl of fire-lit blonde hair rushing into shadow. The ground tilts and I
stumble, hands pierced by black razor shards as I catch myself. The torch rolls
away and I clamor to my feet, grabbing the torch and running I know not where. The
torch in my hand feels gritty-slick. I can find no hint of direction, no
distant light of escape. Blood stings my eyes and I’m racing blind as deafening
cracks warn the ceiling caving in. I trip, the torch flies and all is plunged
into rumbling abyss. I pull myself to my feet, search frantically for direction
as ceiling shards shatter all around, a cold sliver pierces through my skull
and all is brilliant searing frigid light.
Thursday, March 27, 2014
On admitting I'm not a ballerina
April's Camp Nanowrimo starts next week, and I'm beginning to geek out about it, already dreaming of chocolate chai lattes and airship pirates and the degradation of the temporal structure.
Meanwhile, I've finished and submitted my Amtrak Writer's Residency application, and have been dutifully managing my "significant social media contacts." I tweet now. I tumbl. I'm also working on a fiction piece for Ploughshares, though the process feels overly forced. I ride the steampunk novel like a wave, but this literary piece is a road-side root canal.
For instance: yesterday, I spent the great majority of my day writing a paragraph or two of uninspired literary goo, erasing it, and starting over. I finally relented and started working on the steampunk novel instead. Three pages later, I reluctantly surfaced because I had to leave work. I see no purpose in needless suffering in the writer's process. Writers are like dancers. Some are ballerinas. Some jump, jive, and wail. Give me Sing, Sing, Sing over Swan Lake any day.
So, maybe no Ploughshares.
If you'll excuse me, I have to find my sleeping bag and Coleman lantern...
Meanwhile, I've finished and submitted my Amtrak Writer's Residency application, and have been dutifully managing my "significant social media contacts." I tweet now. I tumbl. I'm also working on a fiction piece for Ploughshares, though the process feels overly forced. I ride the steampunk novel like a wave, but this literary piece is a road-side root canal.
For instance: yesterday, I spent the great majority of my day writing a paragraph or two of uninspired literary goo, erasing it, and starting over. I finally relented and started working on the steampunk novel instead. Three pages later, I reluctantly surfaced because I had to leave work. I see no purpose in needless suffering in the writer's process. Writers are like dancers. Some are ballerinas. Some jump, jive, and wail. Give me Sing, Sing, Sing over Swan Lake any day.
So, maybe no Ploughshares.
If you'll excuse me, I have to find my sleeping bag and Coleman lantern...
Wednesday, March 19, 2014
Start
It's hard. Starting. Taking first steps, or even a leap of faith, it's hard. Surrendering to a desire that contradicts every rational impulse, acknowledging that persistent whisper you've tried to muffle for years. Your whole life? There are no guarantees, no safety net. No regular paychecks. Just...the desire.
I've ignored it, locked it away somewhere, an oubliette of the mind. Except I could hear it, whispering, singing. Mournful songs of abandonment. And I longed to release it, but reason forbids. Reason always forbids, with terms of penury, and inadequacy, and frustration. Visions of a terminally blank page, a cursor blinking in accusation. And a familiar voice warning me that artists, writers, musicians, unless they are lucky or brilliant, never make a living for themselves.
I'm not particularly lucky; neither am I brilliant. The stone-forged practical side chose to examine literature rather than create it. What better way to remain close to your first love than to teach it? Write about it? Immerse yourself in pools of others' creation? Become an acolyte of words.
But no. Enraptured as I was by the words of others, always I longed for my own expression. I feared that my words would be insufficient, lacking brilliance. And fear has clogged my veins for years. Fear of failure. Always, always, that fear. And reason. It's...not very logical, living by your art. Not safe at all.
Except I don't belong out there, among people with the talent for efficiency. I am not detail-oriented, task-driven, a team-player.
I belong here, infused with words, hijacked by stories.
But I need a deadline. One that I can't change or ignore. Otherwise, I allow fear and insecurity to dominate, frustration to choke me, despair to stay my hand. I surrender.
I've decided. A submission before May, a story written and perfected. A step, a leap of faith. To live by words.
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